:terra incognita for someone, for me just natural discovery

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.what else I wanted to write about today on my blog, as first day in d new year is this artist that I saw last year few times in my stream. I only saw before one piece from him, installation that was 3dimensional mirror of d realism nowadays [second from down].

:this post is about Gregory Euclide and his art works. It is possible you’ve never heard of Gregory Euclide. However, it is near impossible to believe you didn’t catch the cover of Bon Iver’s Calgary. The artist also held a solo exhibition at Denver’s David B. Smith and is currently part of groups shows at the Toledo Museum of Art and Hunterdon Art Museum.

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:He is one of d most influential artist for 2011, lot of his master pieces will be part of d new contemporary history of art. He is pretty surreal in a moments, very unique and d art that he produce is thinkery indeed.

..Gregory Euclide’s work which, at a glance, looks like an elegant spill of paint but on closer inspection reveals a carefully executed diorama. Euclide’s inspiration is drawn from the land, but that is not to say he paints landscapes. “I know that I am simply using the landscape to reach something more complicated,” he says.

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[from wikipedia]

:Gregory Euclide (born 1974) is an American contemporary artist and teacher who currently lives and works outside of Minneapolis, Minnesota. Born in Cedarburg, Wisconsin, and raised there before moving to Minnesota, his life was permeated with the outdoors, and created an interest in and connection to the environment that lasts to this day.

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!most of d photos for this post are from his personal page ~

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:what I really like in d work of this artist is that he have his own style that is pretty magical, when u look into his works is like a natural journey, u go deep into those macro worlds that he creates just to quide Us as viewers into his imagination, into his sense of storytelling. ..

p.s. check his blog also ;)

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?what do u say dear readers, does he make influence in d art today. .. u can leave ur comments below or on :d white b[l]og ::: #facebook page

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:just a bit about John Chamberlain #rip

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:gagosian

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.first of All, Rest in Peace Sir & thanks for all d progress!

I would like to mention on my blog for one of d first modern sculptors in d art history. Inventive for d time when he start with his creativity work and pretty unique to be part of d history as respected artist that was promoting d diversity of expression nowadays. It’s hard to find ur own signature, to be something that shows d quality of d artist also as d topic he is working on.

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John Angus Chamberlain [ b.April 16, 1927 – d. December 21, 2011] was American sculptor that is best known for creating sculptures from old automobiles (or parts of) that bring the Abstract Expressionist style of painting into three dimensions ..

His works have been exhibited around the world and have been included in the São Paulo Art Biennial (1961, 1994), the Venice Biennale (1964), the Whitney Biennial (1973, 1987) and Documenta, Kassel, Germany (1982) and he has had over 100 solo shows, traveling exhibitions, and retrospectives.

:d art artstory.org writes:

“he is creating vibrantly colored, dynamic sculptures from crushed, twisted and bent automobile parts. Inspired by the scale, color and impulsive creation of Abstract Expressionist work, Chamberlain was a pioneering force through his use of found materials and diverse colors. While also experimenting with a variety of sculptural media, as well as with film and painting, he greatly impacted many generations of artistic movements, including Minimalism and Pop Art, and continues to create inventive work today.”

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Key Ideas
  • Chamberlain retains the jagged edges and unrefined paint colors of his primary medium – steel automobile parts – to illustrate his spontaneous, improvisational process. This technique brings the instinctual and gestural brushstrokes of his Abstract Expressionist peers into three dimensions.
  • Rejecting the frequent comparison of his work to violent car crashes, Chamberlain intends his audience to view his work aesthetically without preconceived ideas about the materials’ past. He aims to give everyday objects entirely new meanings, ranging from poetic abstraction to figural allusion.
  • A main concept for Chamberlain is the idea of “fit,” a natural, innate interconnection between sections of his sculptures. Rather than predetermining structures, he lets the fragments’ shapes and colors dictate composition.

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:In d bulletin we can find this part that highlight part of his life and maybe d main reason why he start using this stuffs as material for his art.

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Automobiles are a loaded subject, especially in the decades following World War II in the United States, which has led some observers to ascribe specific social meanings to Chamberlain’s art. The crushed automobiles have been connected to the violent death of Abstract Expressionist painter Jackson Pollock — who died in a car crash in 1956 — and then to the slightly later, 1960s car-crash paintings of Pop artist Andy Warhol. Chamberlain was skeptical. Of his choice of automobile sheet metal, the artist once said, “Michelangelo had a lot of marble in his backyard, so to speak; I had a lot of this stuff.

Using a common material is best for sculpture, he added, because it “doesn’t get in the way of doing an uncommon thing.

The Line Up Dedicated to the Sarasota Police Dept_1982

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.In 1957 after his first work called Shortstop & made out of two fenders repeatedly run over by a truck we read from guardian.co.uk part of that what he said in that time:

“It was like, God, I finally found an art supply, and it was so cheap it just made you laugh,” he later said. “I think of my art materials not as junk but as garbage. Manure, actually: it goes from being the waste material of one being to the life-source of another.”

Rev. E. Piscpalian Swifty 2oo5

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.d Guggenheim museum in New York is preparing retrospective exhibition from his works in February. We can see nearly 100 pieces from his earliest monochromatic welded iron-rod sculptures to the large-scale foil creations of recent years. But if ur not in US and u are interested in this artist and his works and still between my lines, hope u like d selection that I’ve done for d white blog.

:witchesoasis 2o11

Onecaratstud, 2010

;gagosian

Day Flotilla 1982

flywheelsonata 2oo7

:gagosian

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do u like his style, u think he left traces for d future generations? . ..u can leave ur comments below or on :d white b[l]og ::: #facebook page