!let go ::: #electro



The Japanese Popstars Feat. Green Velvet - Let Go

:this animation video is amazing layer for d great song, or d opposite direction d track is great layer for this illustrations that can blow ur mind. I really like this street style drawings, mixed like a creature that is changing d perspectives, inside, outsides, eyes..etc.

.d colors are so soft and disco in same time, pretty modern and stunning how this combination is moved by d rhythm & d dynamic of this story.

From king motion pictures we read:

This is a perfect example of a great video taking an already sick song to the next level. Let’s face it, the song by itself is fire. It’s got that perfect blend of live drums and live bass layered over techno synth and heavily produced vocals – indie dance performed with sublime perfection. The record treads that tightrope between raw and over-produced, but never falls off. The result is a track bursting with the energy of a live show with the quality of a solid studio effort.

Let Go conveys all the elements of a successful dance song: driving rhythm, catchy hook, bumping synths, and an awesome drop.

The real success of this video is that it captures the driving rhythm of the song to perfection. The record takes a rock solid bass riff and pushes it through different tones as it builds towards the big drop.

The video picks up on this theme perfectly with its mind-bending loops that slowly evolve and blend into something completely different. That creepy face with the radiation goggles is a psychotic representation of the voice on the track, but it fits in perfectly in the trippy world the creative minds behind this video dream up.

What really gets me going about this video is how it keeps moving with the song. The synch between the animation and the music is perfect – not quite the same effect as this classic Chemical Brothers cut, but definitely along these lines. Plus, the band gets an appearance at 1:38 without taking up too much screen time, and fitting in perfectly with the theme of the video.


For its awesome pop-art feel, its trippy imagery, and its driving pace, this video gets huge respect.  Check out the making of the video here.

Directed by David Wilson
Produced by Serena Noorani and Tamsin Glasson at Colonel Blimp ( colonelblimp.com )
Commissioned by Nicola Brown for Virgin/EMI
Primary Illustrator – Keaton Henson
Secondary Illustrators – David Wilson and Andres Guzman
Drawn Animation – Malcolm Draper, Matt Lloyd, Ed Suckling, Toby Jackman, Elena Pomares, David Wilson, Jamie Page
Flash Animation – Michael Zauner, John Malcolm Moore, Ed Suckling, Toby Jackman, Elena Pomares, Andrew Clark
After Effects Compositing and Effects – Andy Montague via The Mill
Colouring – Christopher Wright, Sally Hancox, Zoe Hough, Alex Simpson, Josh Stocker

via @Gulakci & @Patarci :D

:Guitarbotana avec Mari Kimura

I found this link via @Milica Popovic on facebook and I think that this project sounds amazing. It’s first time for me to see this combination of electronic maschine (robot musician?!??) and awesome violinist. I enjoy almost every second of this video. this audio can be heard in Kimura’s CD POLYTOPIA that is probably unique example of music from this kind (or I’m not good informed).

The violin gives those classical emotions that usually the classical music create in Us but with d maschine it shows d duality of our personality. One of d comment on youtube say: she’s the mars volta or pink floyd equivalent of violins and I agree with this constitution. From one side this music is pretty weird even that I listen and play some noise but that violin brings the frequency that on moments makes u joyful or from other point hysteric, nervous even scared.

Mari Kimura explain more clear for this:
Behind the white box, there is a Mac and an audio interface. I am running a software MaxMSP, which is LISTENING to the pitch. loundess and the timing of the violin. The ‘patch’ I created in Max contains certain interactive instructions such as “listen to the E (highest open string on the violin)”. For example in the beginning, if you listen carefully you notice when I play above E, it stops. Iinteractions change inpredetermined time frames.

Ok, enough for this goody Frankenstein type of music. 😀