:flashes. ..like frames from ur life; naturally visual ~

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:finally I'll write more about my favorite chef-d'œuvre!

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:I first time saw this art work more then one year ago. I was d same as today when I actually find more then one beautiful photo from this master artist. we’ll see d layered landscapes series by artist Nobuhiro Nakanishi.

I can write a lot about this artist but I’m pretty sure that very soon I’ll show some other pieces from him. he just deserves whole observation of his wok. Today as d first working day in d first [non]working week of d New Year I think is fair enough to give d pleasure to our eyes to enjoy in this perfection of visual beauty.

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:from trendland we read:
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The theme of Japaneses artist Nobuhiro Nakanishi work is “the physical that permeates into the art piece.” Laser print mounted with plexiglass acrylic and layered in a way that it all come up as some intriguing sculpture installations. ” In a foggy landscape, we no longer see what we are usually able to see – the distance to the traffic light, the silhouette of the trees, the slope of the ground. Silhouettes, distance and horizontal sense all become vague. When we perceive this vagueness, the water inside the retina and skin dissolve outwardly toward the infinite space of the body surface.

The landscape continues to flow, withholding us from grasping anything solid. By capturing spatial change and the infinite flow of time, I strive to produce art that creates movement between the artwork itself and the viewer’s experience of the artwork.

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.this is d art that takes ur breath away, shocks u in ever way. .. when I first saw this project, still not popular between d network I knew that this is one chef-d’œuvre, genial artist, happy we still have what to present and to be timeless. ..

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?do u see this work for first time, is it inspiring for u, do u like this visual art. .. u can leave ur comments below or on :d white b[l]og ::: #facebook page

:zen greeting::: Lee Ufan & ‘marking Infinity

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!lets we ALL say "OM"mmm. .. to this stOnes ~ :)

@ Solomon R. Guggenheim Museum

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.This stones .. no words can be butterfly in a front of this works. Master pieces, chef-d’œuvres of this times. D history of art have had changes like this in d decades and centuries ago, but this for sure is d change that fits my sense of understanding.

[@kihuPotru]

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Periodically I was seeing things from this artist, d stones yes and in same moment I felt some deep meditative energy that surrounds me. Every time when I watch this pieces of grande art I have d feeling that this connection is stronger even that is virtual, there is no pure communication between me and d stones or d environment, d space. ..d energy that they produce acting one, titled “Marking Infinity”. I like d title, very symbolic name for d 40 year retrospective exhibition of artist Lee Ufan [b. 1936, South Korea]

stunning interventions with d stone like element that play with d gravity mostly everywhere in his works, gives them some role of levitation souls that travel around d space even that they are strongly situated in one single place in d gallery. He make his spiritual zone, marks his infinity of understanding d universe and his living in deeper sense.

:u can see the short video from this performance where sir Lee is putting d stone on this sensitive glass platform. if we mention d dialog that he use in deep sense in other works too he is celebrating in a way d confrontation between d inner personality [soul] with this glass bell reality.

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#shortly artnet mention:

Titled “Marking Infinity,” the show inhabits the museum’s spiraling exhibition ramp, rotunda and two ancillary galleries with minimalist expanses of canvas and spare configurations of stone and steel. It’s a Zen Garden of matter, form and space.

:The artist-philosopher Lee Ufan from d early 60ties is marking one special way of expressing trough his art and since then he land in d art community as person pretty important for d modern art history. His deep intellectual combination of d visual, conceptual and theoretical brings his art pieces in a stadium that is comfortable for all d viewers. Meditation by itself.

” Since his early Mono-ha period, Lee has restricted his choice of sculptural materials to steel plates and stones, focusing on their precise conceptual and spatial juxtaposition. The steel plate—hard, heavy, solid—is made to build things in the modern world; the stone, in its natural as-is state, “belongs to an unknown world” beyond the self and outside modernity, evoking “the other” or “externality.”

Arranging the plates in precise relationships to the stones, Lee’s Relatum series (1968– ) presents a durational form of coexistence between the made and the not made, the material and the immaterial elements of our surroundings. The series title is a philosophical term denoting terms, objects, or events between which a relation exists. In Lee’s mind, the occasion of the site-specific work and the network of dynamics it triggers is more important than the object per se, and we the viewer enter the scene as an equal part of the whole.”

:Alexandra Munroe, Samsung Senior Curator,Asian Art [from guggenheim]

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:besides this works with stones that I most prefer in this retrospective exhibition Sir Lee Ufan presents some paintings, some of them called dialogs at d @guggenheim:

:from line

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!hope u like this post, if u have anything else to mention here I would be very happy if I see ur opinions.. for me this are not d only projects that I like from him, he really creates chef-d’œuvres. .. u can leave ur comments below or on :d white b[l]og ::: #facebook page

:Zen greeting::: Lee Ufan & ‘Marking Infinity