?what are u doin’. ..nothing, just watching o.O #politics

:Yes, this is definitely a great project. Amazing urban installation!

.the message is very clear, politics as topic [ like most of d time in d urban art ], and how this crew make combination of d objects to express d natural, organic meaning. ..but way to much technologically supported.

:..a ready made message from d designboom master writers, we read:

“:politicians under surveillance’ by spanish artistic collective luzinterruptus is a temporary public installation aiming to stimulate debate and conversation on the roles of the government and its influences in today’s society. armed with 75 fake security cameras complete with intermittently flashing red lights, the team set about the street of madrid, spain, and trained the surveillance equipments around various advertisement used by political parties in their electoral campaigns.”

– :from my perspective this way of showing d society that d mass-media, d big eye also see d big brother trough d camera, and politicians should think about what is right and ‘maybe, only maybe to find way to fix it. I think is moment to stop this observing process and all of Us to try to change d way ~

:this dry way of expression through art further shows that grayness as a form, style of life is consumed by all levels/ communities in d society. media as an element in an urban society should present what is truth, and that is how the posters are doing that function on d streets, just kidding I mean how d politicians should do their duty to their constituents, voters, voices .. [x2 for eyes].

_. ..however, so many eyes look through all those cameras ..

:from luzinterruptus's site:

‘…those that truly keep [the politicians] under strict surveillance are the markets, loaded with unlimited power which allows them to overthrow legitimate governments, imposing in their place a race of technocrats of suspect past, in the service of the crisis.’

:based all around d city this installation in a period of ten hours exhibited groups of security cameras scaling mailboxes, telephone poles, different electric boxes and crowding around a portion of d street. through playful interventions in the public domain, the crew wants to tell us that d project seeks to provoke d audience to think about, to reflect on the current infrastructure of d political structure that controls d society.

:politicians under surveillance' _by luzinterruptus in madrid, spain

all photos by gustavo sanabria
all images courtesy luzinterruptus

:what about this urban #installation, what do u think? Do you know smt about d crew, about this conceptual way of expression trough art?You can leave ur comments below or on :d white b[l]og ::: #facebook page

!let go ::: #electro



The Japanese Popstars Feat. Green Velvet - Let Go

:this animation video is amazing layer for d great song, or d opposite direction d track is great layer for this illustrations that can blow ur mind. I really like this street style drawings, mixed like a creature that is changing d perspectives, inside, outsides, eyes..etc.

.d colors are so soft and disco in same time, pretty modern and stunning how this combination is moved by d rhythm & d dynamic of this story.

From king motion pictures we read:

This is a perfect example of a great video taking an already sick song to the next level. Let’s face it, the song by itself is fire. It’s got that perfect blend of live drums and live bass layered over techno synth and heavily produced vocals – indie dance performed with sublime perfection. The record treads that tightrope between raw and over-produced, but never falls off. The result is a track bursting with the energy of a live show with the quality of a solid studio effort.

Let Go conveys all the elements of a successful dance song: driving rhythm, catchy hook, bumping synths, and an awesome drop.

The real success of this video is that it captures the driving rhythm of the song to perfection. The record takes a rock solid bass riff and pushes it through different tones as it builds towards the big drop.

The video picks up on this theme perfectly with its mind-bending loops that slowly evolve and blend into something completely different. That creepy face with the radiation goggles is a psychotic representation of the voice on the track, but it fits in perfectly in the trippy world the creative minds behind this video dream up.

What really gets me going about this video is how it keeps moving with the song. The synch between the animation and the music is perfect – not quite the same effect as this classic Chemical Brothers cut, but definitely along these lines. Plus, the band gets an appearance at 1:38 without taking up too much screen time, and fitting in perfectly with the theme of the video.


For its awesome pop-art feel, its trippy imagery, and its driving pace, this video gets huge respect.  Check out the making of the video here.

Directed by David Wilson
Produced by Serena Noorani and Tamsin Glasson at Colonel Blimp ( colonelblimp.com )
Commissioned by Nicola Brown for Virgin/EMI
Primary Illustrator – Keaton Henson
Secondary Illustrators – David Wilson and Andres Guzman
Drawn Animation – Malcolm Draper, Matt Lloyd, Ed Suckling, Toby Jackman, Elena Pomares, David Wilson, Jamie Page
Flash Animation – Michael Zauner, John Malcolm Moore, Ed Suckling, Toby Jackman, Elena Pomares, Andrew Clark
After Effects Compositing and Effects – Andy Montague via The Mill
Colouring – Christopher Wright, Sally Hancox, Zoe Hough, Alex Simpson, Josh Stocker

via @Gulakci & @Patarci :D