:some quiet galaxy..

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:I really like this old piece, one of d first that made art thinkful in different way.. Diamond Mind Circle of Tears Fallen All Around Me (1975) by Bruce Nauman.

Historical installation, consists of six sandstone blocks, each roughly 15 inches cubed, distributed in a concentric circle. The blocks’ rhomboid shapes produce an unusual sense of dislocation, as if the room itself were slightly askew. In the mid 1970s Nauman created a series of 7 installations with rhomboid cubes that explore the complexities of perception.

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:I find this photography interesting as well.. Bruce Nauman, Failing to Levitate in My Studio, 1966. Black and white photograph, 20 x 24″. Courtesy of the artist.© 2008 Bruce Nauman / Artists Rights Society (ARS), New York.

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.feel free. .. . .. u can leave ur comments below or on :d white b[l]og ::: #facebook page

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:shortly, in a lot of colors ..

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.. I saw this in my stream yesterday but I was thinking is too commercial, to much fancy for my eyes, but today I saw it one more time and I read d story. I think is good piece of art..

This beautiful work is composed of more than 2,500 letters and characters from different languages from around the world. The colorful writing is illuminated from behind, and walking into this room is a bit like walking into an abstracted conversation in which you’re hearing bits and pieces of the entire planetary population talking at once.  This piece, by Noriko Shiozawa (塩澤徳子), is called “Koto-no-ha” (こと‐の‐は), which is an older Japanese word for “language.”  Shiozawa-san was kind enough to give her permission to allow the photograph above to be used as the cover for the UNESCO Jakarta Annual Report 2008.

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..u like it, u think it looks like d Eastern matrix, Pandora box. with this photography it’s like u’re part of it, with one feet inside. . .. u can leave ur comments below or on :d white b[l]og ::: #facebook page

:keep ur meditation

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:I found this sculpture, installation very attractive. even that is bit like trash art this means a lot to me. not very rare when u do meditation, d Buddhist one u need to keep keep ur eyes half open/ close and in that state, u start feelin’ sleepy and ur head will fells like fallin’ down.

Zhang Huan is conceptual artist that shows this megalomaniac view of this important religion for d contemporary era. a lot of people from d west civilization start being interested in d Eastern philosophy after a lot of people start promoting d idea via arts, culture etc.. This artist is creating art works that are reflecting his tradition also as some other works that are totally different from d series of photography that u’ll see here. donkeys, naked people, performances.. u need to check his works for sure.

this gigantic aluminum piece is meant to deteriorate and crumble as time passes. “To me, ashes carry unseen sedimentary residue, and tremendous human data about the collective and individual subconscious,” Zhang says. “As time goes by, the environment will affect the work, as the floor will tremble with movement, ash Buddha will also change and fall into piece. The work questions what is Buddha. And since all is void, will ash lie still?

Zhang Huan, is a Chinese artist from the southeast province of Henan.  Studying from many different Chinese art styles, Zhang Huan portrays has presented his art in very unique and different ways. Many of his works usually include or incorporate the human body in many masochistic or emotionally moving positions.  Zhang Huan’s style may be considered strange and demeaning to some, especially to the Chinese art culture which follows very different standards.  Zhang strayed from the traditional Chinese brush painting and calligraphy early in his art career being influenced by his resentment towards the Chinese Communistic government and the influence of Western arts. Zhang has worked with a variety of art forms including sculpting, performing art, and oil painting. Some of his most well known works are his performance arts which included: “To Raise the Water Level in a Fishpond, 12 Square Meters, 65 Kilograms, and To Add One Meter to an Anonymous Mountain.” Many of these performance arts were self abusive, something Zhang has since left behind.

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?u like this sculpture, definitely it was different angle of seeing this regular home sculpture. this contemporary artist is everywhere nowadays, doin’ master pieces that are changing d mental state and d way of understanding art  today. .. u can leave ur comments below or on :d white b[l]og ::: #facebook page

:zen greeting::: Lee Ufan & ‘marking Infinity

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!lets we ALL say "OM"mmm. .. to this stOnes ~ :)

@ Solomon R. Guggenheim Museum

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.This stones .. no words can be butterfly in a front of this works. Master pieces, chef-d’œuvres of this times. D history of art have had changes like this in d decades and centuries ago, but this for sure is d change that fits my sense of understanding.

[@kihuPotru]

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Periodically I was seeing things from this artist, d stones yes and in same moment I felt some deep meditative energy that surrounds me. Every time when I watch this pieces of grande art I have d feeling that this connection is stronger even that is virtual, there is no pure communication between me and d stones or d environment, d space. ..d energy that they produce acting one, titled “Marking Infinity”. I like d title, very symbolic name for d 40 year retrospective exhibition of artist Lee Ufan [b. 1936, South Korea]

stunning interventions with d stone like element that play with d gravity mostly everywhere in his works, gives them some role of levitation souls that travel around d space even that they are strongly situated in one single place in d gallery. He make his spiritual zone, marks his infinity of understanding d universe and his living in deeper sense.

:u can see the short video from this performance where sir Lee is putting d stone on this sensitive glass platform. if we mention d dialog that he use in deep sense in other works too he is celebrating in a way d confrontation between d inner personality [soul] with this glass bell reality.

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#shortly artnet mention:

Titled “Marking Infinity,” the show inhabits the museum’s spiraling exhibition ramp, rotunda and two ancillary galleries with minimalist expanses of canvas and spare configurations of stone and steel. It’s a Zen Garden of matter, form and space.

:The artist-philosopher Lee Ufan from d early 60ties is marking one special way of expressing trough his art and since then he land in d art community as person pretty important for d modern art history. His deep intellectual combination of d visual, conceptual and theoretical brings his art pieces in a stadium that is comfortable for all d viewers. Meditation by itself.

” Since his early Mono-ha period, Lee has restricted his choice of sculptural materials to steel plates and stones, focusing on their precise conceptual and spatial juxtaposition. The steel plate—hard, heavy, solid—is made to build things in the modern world; the stone, in its natural as-is state, “belongs to an unknown world” beyond the self and outside modernity, evoking “the other” or “externality.”

Arranging the plates in precise relationships to the stones, Lee’s Relatum series (1968– ) presents a durational form of coexistence between the made and the not made, the material and the immaterial elements of our surroundings. The series title is a philosophical term denoting terms, objects, or events between which a relation exists. In Lee’s mind, the occasion of the site-specific work and the network of dynamics it triggers is more important than the object per se, and we the viewer enter the scene as an equal part of the whole.”

:Alexandra Munroe, Samsung Senior Curator,Asian Art [from guggenheim]

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:besides this works with stones that I most prefer in this retrospective exhibition Sir Lee Ufan presents some paintings, some of them called dialogs at d @guggenheim:

:from line

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!hope u like this post, if u have anything else to mention here I would be very happy if I see ur opinions.. for me this are not d only projects that I like from him, he really creates chef-d’œuvres. .. u can leave ur comments below or on :d white b[l]og ::: #facebook page

:Zen greeting::: Lee Ufan & ‘Marking Infinity