:hbd Sir Renoir

Pierre-August Renoir was born in Limoges, Haute-Vienne, France, on February 25, 1841, the child of a working class family.

Renoir’s first encounter with painting dates from his childhood when he worked in a porcelain factory painting designs on bone china.

And as they say, the rest is history. Happy BIRTHday Renoir ~


.cigarets, a lot of cigarets

It’s been a long time, but what can I say .. welcome again dear friends. hope ur doin great in d new one. here I find this interesting to be part of my blog. Concept from ’93th that is pretty minimalistic, white, clean and plastic dirty in a way.. but with some weird perception about d topic that it’s in d center.

Damien Hirst – Dead Ends, Dried Out, Explored (1993)

Damien Hirst - Dead Ends, Dried Out, Explored (1993)Damien Hirst - Dead Ends, Dried Out, Explored (1993)1

:celebration vol.II – hbd sir Duchamp

Bicycle Wheel (1913)

“Art is either plagiarism or revolution.”

The second celebration we have here on this blog today is about d birthday of one of d best/ main/ leaders/ ARTISTS of d modern/ contemporary era Marcel Duchamp who actually was a French artist whose work is most often associated with the Dadaist and Surrealist movements.

Tu M’ (1918) – Duchamp’s last full-scale venture in oil painting, expressing the shortcomings of traditional oil on canvas painting.

All in all, the creative act is not performed by the artist alone.. the spectator brings the work in contact with the external world by deciphering and interpreting its inner qualifications and thus adds his contribution to the creative act.

If u are here on this blog u probably know about this Monsieur and just continue toasting with me for all this beautiful occasions. Sir Duchamp left a lot for d historians of art, they can analyze his signature with days/ months even years. His works are structural, easy going maybe but pretty hard in d concept. Full with messages, thinkery machines I can say. I use to stay hours in front of some of his works/ masterpieces.

Duchamp’s 1926 film Anemic Cinema, presented with a new score by Modern Silent Cinema

Why Not Sneeze, Rrose Selavy? (1919)
Those “sugar cubes” are actually made of marble, making the whole thing surprisingly heavy. Anyone who lifted it would momentarily be forced to question either their expectation or their perception of the object’s weight.

Female Fig Leaf (1951)

Objet-dard (1962)

Three Standard Stoppages

“It’s not what you see that is art. Art is the gap.”

Traveler’s Folding Item (1916)

Hat Rack

Rotary Glass Plates (Precision Optics), 1920

urinal r mutt fountain 1917

“Destruction is also creation.”

“My idea was to chose an object that wouldn’t attract me, either by its beauty or by its ugliness. To find a point of indifference in my looking at it, you see.”

“D’ailleurs, c’est toujours les autres qui meurent.
(Besides, it’s always other people who die).”

:HAPPY BIRTHDAY Sir Marcel Duchampu Dear followers/ readers can leave ur comments below or on :d white b[l]og ::: #facebook page c h e e r s:

:blue light meditation ~


:This days I’m pretty into neon lights, neon constructions etc so I found this art piece proper for my mood. Untitled (to Helga and Carlo, with respect and affection) (1974) by Dan Flavin is old piece, part of d contemporary art history. I like it a lot, minimalistic, clear. .. environmental. meditative, pure blue energy is generated from this installation. there are not a lot of artist that construct feelings, Dan is one of the..



:if u ave something to mention . .. u can leave ur comments below or on :d white b[l]og ::: #facebook page